Loving Frank, by Nancy Horan. It's about Frank Lloyd Wright's love affair with Mamah Borthwick, from her point of view (in a third person telling). We met last night to discuss it.
And here's a dilemma. Kim had trouble discussing it as fiction because it is based on real incidents. That is, it is historical fiction, but not just a story set in historical times, but one where the outcome is necessarily pre-determined by what really happened. There's no fiddling with this "plot," nor making the events that lead up to the ending actually make fictive sense. So there's not a good interpretive question related to the arc of the story or the characters' motives, and there is the dangerous tendency to ask, "Did she deserve her tragic ending?"
Using the word "tragic" in its commonplace sense of "a really, really bad thing happened" rather than its classic sense of a fatal flaw bringing the character to his (usually his, as the classic definition is from Aristotle, based on the ancient Greek tragedies) inevitable fate. Frank Lloyd Wright has enough hubris, in history and in this novel, to be a classically tragic character, but it's not about him; it's about her. So did she invite her fate? Did she deserve her fate? Is "fate" even a function of this novel?
So I came round to the question, "Why did the author want to tell us Mamah's story, from the inside?" Did she want us to judge Mamah, as American society did in the time she was living? Did she want us to understand her better? And find a way, frankly, to love and forgive her, rather than judge her? Is it a cautionary tale for readers (especially women) living now, specifically warning women not to get caught up in the man's goals and needs, but, if you want a frank and true love match, be whole yourself?
We had a lively discussion of the book and also those reverberations in life--looking at how double standards still pertain, how the layering of generations still sends a lot of mixed messages to women, and how important it is, indeed, to find one's proper mate, if mating, or lifelong companionship of some sort, are in this mix.
Susan pointed out that "your soul mate isn't always the best life mate." Of course, she has a great life mate in her husband, Bob, and a great soul mate in her dog, Kayla.
Book group gals, you might want to click here to see more pictures of Mamah, copies of some of the actual newspaper articles, and even the covers of the Ellen Key books she was reading and translating!
In The Doorway
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