Must You Go?

Day 267 of the "What are you reading, and why?" project, and Susan Stamberg is reading Must You Go? by Antonia Fraser.  Yes, yes, I'm on NPR again, Morning Edition, and you can read an excerpt from the book and read or hear the interview here.  It is a memoir of Fraser's life with Harold Pinter, her playwright husband.

I heard half the interview on my way home from the polling place, where I voted before breakfast and had delightful brief conversations with the volunteers about Genevieve Bujold and Adlai E. Stevenson, II, none of which (even the Stevenson) was any form of electioneering.  (I have a wonderful odd life!)

I joined the interview with Stamberg saying, "Once Pinter started writing — in his studio at the bottom of their garden — he worked in a tear," something I can identify with as a writer.  Fraser said he would get into bed and out again, to write some more.

Since I joined the interview in progress, I missed the story of their meeting, the reason for the title of the book, the scandal, et cetera, but I had heard about some of this before and I got caught up by reading at the NPR site.  This is a book I would like to read, a gathering together of incidents and insights from Fraser's diary during her years with Pinter.  And as she is a wonderful biographer herself, I'm sure it is well done.

Stamberg asked Fraser to read the poem "Paris," the first poem he wrote to her.  I came right home and read the poem again in Harold Pinter's Collected Poems & Prose, the first Grove Press edition, a gift from a playwright friend.  My friend got to hear Pinter speak toward the end of his life and found him blunt and curmudgeonly, rude even, but perhaps that was partly due to his long struggle with cancer, and partly due to the state of the world as he was saying goodbye to it.

Pinter won the Nobel Prize for Literature in 2005.

But then he had to go.

Twists of the Screws

Day 23 of the “What are you reading, and why?” project.

Mike is reading L. P. Hartley’s novel The Go-Between, written in the 1950s and set in 1900, before the two world wars. It is a romance and a coming-of-age novel, with mystery and trouble, innocence and awareness. Might remind some readers or filmgoers of Atonement by Ian McEwan.

I first encountered The Go-Between as a film with Julie Christie and probably missed much of what was going on. Same thing happened when I saw The Innocents, the truly scariest film I ever saw as a child, with Deborah Kerr, in black and white, based on Henry James’s short story “The Turn of the Screw,” which I then read to try to figure out what the heck was going on. It’s actually a long short story, a novella. The children are go-betweens in this tale, too. Reading it did not help me understand it any better, but it wasn’t as scary.

Same thing happened when I read Lolita, the wonderful, icky book by Vladimir Nabokov. I saw the black-and-white film with Shelley Winters and couldn’t see what all the fuss was about, read the book and was even more confused. Sometimes I think I am an idiot. (I can’t read plays, either. I have to see them. Or be in them.)

Then one of my college students had the same kind of reaction to Lolita, the book. What was all the fuss about? Meaning, where was the sex? She also watched the film, the newer version. This was part of a research paper assignment on banned books. Tell us why it was banned, what was the outcome of the attempt to ban it, whether you agree or disagree, etc. People really got into it, I am glad to say. In her presentation, my student stressed the lollipop on the cover of the film box.

I should pause here to mention that Rebecca, who is reading Her Fearful Symmetry AND Last Night in Twisted River, is also listening to Reading Lolita in Tehran on CD, or she was when I first asked the question, “What are you reading?” She’s had a couple sick kids and a sick self since then, so I hope she has been resting and pushing fluids, as they say.

Her Fearful Symmetry is by Audrey Niffenegger, who wrote The Time Traveler’s Wife, the first book we read in my local book group. I had met Audrey briefly one summer at Printers Row Book Fair in Chicago, but in her other capacity as a paper maker and paper artist. I enjoyed that book, have not seen the movie version, and hope to read this latest eventually. It appears to be a ghost story, which takes us back to James.

Both Henry James and Edith Wharton spent some time with ghost stories, an ever popular genre, rich with psychological possibility and money-making potential! James had kept ambiguity in the story on purpose, and Truman Capote added another layer of psychological ambiguity as one of the screenwriters for The Innocents. (By the way, a screenwriter for The Go-Between was the notoriously subtle, twisty, rich, and confusing Harold Pinter.) “The Turn of the Screw” was then remade into a completely different film, The Others, with Nicole Kidman, now a sort of psychological thriller ghost story horror film with a war context.

Ah, literature and film, the twists and turns.

Ah, this blog, the twists and turns and screwiness.