Randomly, I used my diary to record some of my thoughts on her book. In my reading journal, I recorded some of her reflections on her marriage, noting its similarity to my own. In The Art of the Wasted Day, the "you" she addresses is her husband. "In a moment of great tenderness I once confessed...that I loved living with you. It's like being alone, I said happily. You cocked your beautiful head and said mildly, I gather that's a compliment?" That reminded me of our side-by-side lives in a long marriage, a double solitude for which I am grateful but that has sometimes left me sad. It is, though, the perfect marriage for two artists. Hampl also quotes Rilke in Letters to a Young Poet, saying, "Rilke describes the ideal relationship as a love that consists in this, that two solitudes protect and touch and greet each other."
All through the book, Hampl is aware that the contemplative life, the life with enough leisure to daydream, is a privileged life. She's aware of Rilke's desertion of his own wife as he spent his solitude in the homes of the wealthy. But back to her own marriage, and its similarity to mine! "After a whirlwind courtship of eight years, you liked to say, we got married." I say "courtship," too! And we "courted" for eight years before we married, as well! And that makes it a Random Coinciday!Wednesday, December 30, 2020
Wasted Day, Part 2
Saturday, December 26, 2020
Right Book at the Right Time
"He divined early the value of being sluggish, lax, drowsy..." I needn't worry about my own bouts of sluggishness! As an aware, daydreaming child, sitting under a beechnut tree, Hampl, too, committed early to "the life of the mind," her italics.
Revising my own previous worries, as someone who, like Hampl, later in life, makes relentless to-do lists, I can concur in regard to late-stage laid-backness: "This isn't sloth, it isn't laziness. It isn't even exhaustion. It is a late-arriving awareness of consciousness existing for its own purpose, rippling with contentment and curiosity. One's own idiosyncrasy reveals itself as a pleasure, without other value--but golden, amusing, integrity hard-won and now at its leisure. Hand on heart, this life of the mind, lolling--tending to life's real business."
I'm comforted, too, by Montaigne's own thoughts on essayistic writing, liberally quoted by Hampl: "If it doesn't go along gaily and freely, it goes nowhere worth going." This is how I feel about my ephemeral blog writing--it goes along gaily and freely, usually composed on the spot, though sometimes I take notes--say, in my reading journal, if I want to quote something (as I have done here), and both Hampl and Montaigne are/were note takers! The spontaneity of blog writing is good because (Montaigne again) "the anxiety to do well, and the tension of straining too intently on one's work, put the soul on the rack, break it, and make it impotent." So far, my soul is not on the rack, it is not broken!Oddly, Montaigne doesn't look all that gay and free in his frilly ruff!
Sunday, December 20, 2020
Laziness vs. Diligence
When
I get cold or melancholy, a kind of laziness overtakes me. At bedtime, I don’t
want to take off the layers of t-shirts under my clothes to put on my jammies.
(Fortunately, I am good at taking off a bra under my clothes and out through a
sleeve like Jennifer Beals in Flashdance.)
On sad days now, when I look at the Christmas tree and know my kids aren’t
coming home, I don’t want to get up from the couch, where I am bundled in a
soft, blue blankie, reading a book, even though I know I should get up and move
every hour—to keep warm, to keep the body moving, not sitting, because it’s
wiser, healthier, not as sad.
And then I do it, because I am in the habits of diligence. I hear the washing machine stop, so I go put the clothes in the dryer and start a new load. I hear the mail carrier come, so I get the mail, then put on a coat, and re-deliver a mis-delivered piece of mail to my neighbor next door. I diligently write down who sent a Christmas card, and when, on my little list, and commit to writing a card back, if I haven’t sent one already, during this especially good year to maintain connection with people….
I
wondered if the more precise word was lassitude,
but I don’t think so. Lassitude is a
weariness, a lack of energy, and so is lethargy.
Laziness is a disinclination to work.
At these sad, cold, lazy moments, I am disinclined to get up and do the
necessary bit of work, but, once I do get up, I have the necessary energy. I do
a lot of small, steady tasks, all the time. I have patience and perseverance. I
keep to-do lists.
Yes,
my laziness is temporary, cold-induced, connected to melancholy. I’m aware of
this…and of the way sadness can clutch at me sometimes. I can feel the pull
down. I have various ways of saying no to the pull, even as the tears fill my
eyes and start their spill, even if it’s just getting up from the book I’d
rather read than do anything else, to do anything else.
And
then, back to the book. And on to the next book. So far this year—and there are
two weeks to go—I’ve read 155 books. These include plays, poetry books,
chapbooks, and graphic novels, as well as novels, memoirs, books of essays,
books of short stories. My coffee table is stacked with books ready for a second
lockdown, books not yet begun, finished books not yet shelved elsewhere, books
in progress with bookmarks sticking out, library books that will automatically
renew. Clearly, these books, these stacks, represent my combined laziness vs.
diligence, conflict resolved. And a Slattern Day in the blog.
Saturday, December 12, 2020
Christmas Movies 3
That same day I walked the outdoor labyrinth and ran into a live concert, sort of. In the bandshell, a group of guys with guitars and one harmonica were sitting in a socially-distanced circle, playing music. Lovely! I was a bit worried for them, as there was some singing, and their circle faced in, but I am hoping they are OK because they were outdoors. I was at a distance on a bench, with my eye also on an adorable toddler Husky out walking his man.
And today I did some holiday baking: chocolate oat bars. This is something I baked for my husband 39 years ago--what?!--dating during our first holiday time together. Now it's almost our 31st anniversary, so they're here to go with the champagne, which is already purchased (on "datenight," our weekly early-morning grocery shopping trip) to remind us to celebrate. **runs off to put champagne in fridge** So it's a Fat Tuesday (on a Saturday) in the blog, thanks to the chocolate chips melted with sweetened condensed milk and buttery cookie base. Good thing the oatmeal makes it healthy!And also a Slattern Day, because my work is done! Ta-ta and toodleoo!
Update: Speaking of Die Hard, you might prefer the lesbian Die Hard mentioned here.
Sunday, December 6, 2020
The Day Got Away
Before that, I had planned to meet a friend for a hike in the woods. But first I had to check my email...
Yesterday's email contained a poem acceptance. So first I attended to the contractual details there. Then I updated all the files (physical and digital) related to that, because, these days, if I don't do it in the moment I might not do it. The poem was part of a 4-poem submission, and I wondered where the other 3 might go next. Again, I have to do this in the moment, or the moment gets away. For example, I had been thinking of a particular place to send these poems if they came back, but that deadline had just passed 6 days before. I looked at another journal I've wanted to send to--and, yay, they look at only 3 poems at a time. Perfect! But was it perfect? Was this the right place to send these 3 poems? Now I'm following two roads that are diverging in the woods I was supposed to be hiking--one road has poems I might send, and the other has places I might send them to. While I'm on the one road, I keep going down little unfamiliar side paths that turn out to be poems I wrote in April, or, when did I write that? Finally, I give up and fold the sheets fresh and warm from the dryer.A few years ago, I joined other poets in trying to get 100 rejections a year, because to get that many rejections you have to do a lot of submissions. Then we'd report on our stats. Now it feels like I can barely count, that I don't remember how I tallied things. Yes, I sent out 20 submissions in 2020. That's all! I got 13 rejections, 6 acceptances, 1 pending response. Carrying over from 2019, my work appeared in 9 publications--a total of 16 poems, newly published or reprints. The more recently accepted work is forthcoming in 2021. I can do the figuring, but I can't quite see how it all adds up. Or, in an existential way, why I'm doing it, or, since I do keep doing it, and thus it must be valuable or important to me, why I'm sometimes forgetting the actual poems. Yes, I'll get back to them, see what they were about, revise them or leave them alone, but it's odd to feel so disconnected from a previous practice, one that I do in the privacy of my home, anyway, that doesn't depend on the previous human connections. The disconnect has entered my brain.Now, perhaps, the same thing is happening again, the day getting away as I write this blog entry, as I tally my statistics for the year, as I look back at things I forgot I did, poems I forgot I wrote. 2020 has crammed my brain full of worry and details and strange little poems...and to-do lists of things that do and don't get done.
And yet, I am glad of the voting stats, the super local turnout. I am glad that my tiny chalkboard poems reached the hearts and minds of those who saw them. I was connected that way, during the disconnect. Someday I may look back on 2020 with the cliched hindsight...and understand things I'm not understanding now. Sigh... I already wear tri-focals.
















