Showing posts with label Samuel Beckett. Show all posts
Showing posts with label Samuel Beckett. Show all posts

Saturday, April 17, 2010

Body Surfing & Loose Shoelaces

Day 67 of the "What are you reading, and why?" project, and I have to confess that my Internet access problem was solved by unplugging and replugging the adaptor. Sigh....

Laura is reading Body Surfing because Anita Shreve is one of her favorite writers, strong on storytelling and subtle truths of human behavior. Looks like this one returns to a favorite beach house setting for parts of it, and is more disjointed in the telling, perhaps matching a darker set of human interactions than in some of her novels.

I read The Pilot's Wife because many friends had recommended it (and so had Oprah, I learned) and Light on Snow, which I finished in the car, coming back from a winter holiday trip, with light on snow out the window. Perhaps I will read Body Surfing at the beach this summer, when I do plan 1) to try body surfing and 2) to ask random strangers what they are reading!

Likewise, Rebecca is reading more Connie Willis, one of her newly discovered favorite authors. Rebecca works at a library and claims that these books keep following her home.

I have mentioned that we cannot keep The Catcher in the Rye on the shelf at Babbitt's, but I did snatch up the little red cheap paperback copy that came in the other day, leaving the hardback for some lucky reader. This is a later printing of the same Bantam edition I read in high school. I will read it again soon, after we discuss Franny and Zooey at book group Wednesday night.

I was late to work two days in a row, by ten minutes, because I stopped to talk with my neighbor, Dick. Another day, I stopped to talk to him on the way home, when I can linger without being late for anything except making dinner, which I wish could just be carrot sticks, pita triangles, and spicy hummus. But that's another story, with loose shoelaces. And wine.

Anyway, Dick was telling me that he was unable to finish a painting he's been working on. He's a retired art professor, finally has time to paint, and can't get this particular painting to work and keeps painting over it. Hey, so did Picasso!

To comfort him, I brought up the famous comment about works of writing never being finished, only abandoned. He said he was just reading in a magazine about a guy who only wrote one book and nothing else because nothing after that ever satisfied him. "He kept writing," said Dick, "but he never sent anything else out to be published. And he just died."

"J. D. Salinger?" I asked.

"Yes, that's the guy."

I believe I was breaking in my new red high-tops on these recent walks to and from work and these chats with my neighbor. The red high-tops were a big hit last night in the lobby of Heartland Theatre, where I went to see a sweet & funny & charming production of The Trip to Bountiful by Horton Foote, who also recently died.

My dad is the sheriff in the production, a good guy! My dad is a retired theatre professor, a great director, and a playwright.

Here's a question for you: Are you able to read plays and get a good sense of them on the page?

I confess I am usually not able to get everything I need from the page. I get a lot more from seeing a production. This does not hold true with George Bernard Shaw--fabulous "stage directions" which are philosophical and/or humorous riffs--and Sarah Ruhl--over all poetic construction & stage directions--two playwrights I do love to read!

Soon I will reread Endgame, by Samuel Beckett, and soon also see the Steppenwolf production in Chicago.

And now I have untied many more shoelaces than I have tied up, and must now...fall over.

Thursday, March 18, 2010

Great Books Chicago

Day 37 of the "What are you reading, and why?" project.

A bunch of people, all over the United States, and some in Canada, are right now reading these 3 works, for Great Books Chicago, an annual spring event in Chicago:

1) The Scarlet Letter by Nathaniel Hawthorne (Penguin Classics edition)
2) Endgame by Samuel Beckett (published with Act Without Words 1 in a Grove Press edition)

3) Sorrow-Acre by Isak Dinesen (pen name of Karen Blixen, the Out of Africa woman; published within Introduction to Great Books 2, Second Series, by the Great Books Foundation)
The people reading these works will gather in Chicago April 30-May 2 to discuss them, "shared inquiry" style, and attend various cultural events in the city, including the Steppenwolf production of Endgame, and I will be with them! Leading 2 of the discussions. Yay!!

I love this annual gathering in spring. It actually started before I left Chicago, during my last spring of teaching at DePaul, but I was too busy teaching and preparing to move to attend, alas. Instead, I have been able to come back as a discussion leader/participant since 2005 (I think?), having wonderful conversations with lovely people and seeing all kinds of things in the city, including the botanical gardens, theatre and ballet, and special programs at the Art Institute.

This year we are going to the Museum of Science and Industry, one of my favorite museums ever! Gadgets! Science! And, as the Great Books Chicago info & registration page reminds us, this museum was the Palace of Fine Arts in the World Colombian Exposition of 1893.

That page also reminds us that we can learn more about that world's fair, and the icky murders going on at the same time, in the book The Devil in the White City by Erik Larson, also mentioned earlier in this "What are you reading?" project in this blog!

Previous years have taken readers on tours of the architecture of Chicago, the city's music, all sorts of wonderful adventures. I look forward to this year's adventure and its theme, "Difficult Gifts." Sigh....

When you sign up, the books and all tickets to event are covered by the fee; hotel & food are extra. If you are a reader who loves to talk about books with other book lovers, this is a marvelous spring-in-Chicago (a flowery place!) thing to do!