Showing posts with label Paul Michel. Show all posts
Showing posts with label Paul Michel. Show all posts

Saturday, July 31, 2010

I Was at the Beach

Days 167 through 173 of the "What are you reading, and why?" project, and I was at the beach, where the basic answer to the "Why?" question is "because I wanted something to read at the beach." But there was great variety in what people were reading.

I saw everything from a MAD Magazine cartoon book to The Passion of the Western Mind, with Oprah and Michael Crichton in between. Oprah was represented by the biography by Kitty Kelley, and the Crichton was there via Next, which I have determined from the illustration, not from being able to read the title from my beach chair. Yes, I did scrutinize and eavesdrop. No, I did not intrude on people's reading, conversations, or family groups.

I saw more hardcovers than I expected to see, and one was a library book, right down at the water's edge. Egad! (My husband took a library book, too, but he left it back at the house when he was at the beach. It's still Last Call.)

One energetic girl swam and played the whole time, then, packing up, dropped her brand new clean hardcover with pristine dust jacket (as they say) on the sand. "Oops," she said, then quietly kept brushing it off with a corner of her towel, while keeping an eye on her dad, who never noticed.

I saw sudoku and crossword books, and many magazines. One woman studied an issue of Handyman for a long while, then turned to Star Magazine. A threesome brought a huge stack of magazines, with various titles, including Traveler.

I saw The Nine Rooms of Happiness, happily set aside by a mother when her young daughter wanted her to come dig in the sand with her. Digging in the sand at the beach has got to be the No. 1 room of happiness!

Overheard conversations included a reference to Nietzsche, a mock scolding--"You ought to be reading better literature than that, like what your husband is reading"--and, from the literary husband, "I'm going to meet this guy next week in Cincinnati at a book signing, not for this book, for another one. They're all short stories about himself...," and then, as if he sensed someone eavesdropping, he leaned over to whisper the rest into another man's ear. I have determined that this was a book by Tucker Max. Beach reading, indeed.

But I did have mini-conversations with a few individuals, including some family members and friends:

Kristi is reading Last Night in Twisted River "because John Irving is my favorite. It takes me a long time to get through books, though, because I read them in bed at night."

"Me, I stay up till one," said Maggie, who, in the summer, sleeps till noon. "I'm trying to read Othello." Maggie, a great reader, who, nonetheless, actually brought no books to the beach, has already read two things on her summer reading list: 1984 and Brave New World.

Judy is reading Blood Orange, by Drusilla Campbell, about an art historian (and Judy herself has a degree in art history) in a midlife crisis (don't know about that) who goes to Italy and then comes home to her husband and child, who goes missing.

Alex is reading Hannibal, by Thomas Harris, and reads Raymond Chandler and Dashiell Hammett over and over in the summer, when he's not teaching.

My dad is reading Dance of the Happy Shades by Alice Munro, not because all the women in his family enjoy Alice Munro, but because he read and discussed her story "Boys and Girls," which is included in a Great Books Foundation anthology, and thought he'd like to read more.

Also brought to the beach, but already read by my mom, was Hateship, Friendship, Courtship, Loveship, Marriage, by Munro, which I have read and enjoyed, despite its awkward title. My mom was reading To Kill a Mockingbird, which she finished early in the week, moving on to Remains of the Day, by Kazuo Ishiguro. "I can't believe this is written by a Japanese man," she said, then read a little about the author, and it made more sense, as he had moved to England as a child. She has the movie tie-in cover, and we had all seen the movie when it came out.

She was in the mood for To Kill a Mockingbird because of its 50th anniversary and because she hadn't read it for years, after teaching it to high schoolers for many. She had snapped up Remains of the Day and The Lovely Bones because there they were on the Select New Arrivals shelf by the door of Babbitt's when she was looking for 1) 1984 and Brave New World (which are always stored there and always hard to come by, as always popular) and 2) looking for beach reading. She's halfway through The Lovely Bones now, which my sister enjoyed (despite the difficult subject matter) for its sustained "realism" ("Realism?" asked my mom) in an imagined voice. None of us has seen the movie. I told them about Lucky, the author's memoir, and hearing about (and then reading) both books in an NPR interview, after having many college students recommend to me The Lovely Bones. I have not yet read The Almost Moon, Alice Sebold's second novel.

My sister Chris was reading Ghostwritten, by David Mitchell, because they did not have Cloud Atlas at the bookstore when she went, and she thought it would be good to read his first novel, anyway. She was loving it, all week, stopping to read sentences to me. She knew she was interested at the very first sentence, "Who was breathing on the nape of my neck?" Then she noticed that each new voice somehow used the phrase "nape of the neck" and soon she was hooked and admiring. I will "inherit" the book when she goes back to Ohio after her high school reunion, in our hometown.

And I was reading Barbara Pym! I read Excellent Women and then started re-reading Some Tame Gazelle, both about funny church women involved in the life of the vicarage. There's much more than that going on, including a kind of wry, subtle feminism that co-exists with the prevailing values of a culture that is sort of pre-feminism, but is therefore a quiet and radical feminism in which, by all appearances, women are happily subservient to men. But not really.

I also finished Level Green, a book of poems by Judith Vollmer, with a more "out there" feminist impulse, and Houdini Pie, a novel by Paul Michel, who is a wonderful storyteller. There is more to say about these, but I will say it 1) tomorrow and/or 2) elsewhere as 3) my hair is sandy.

Sunday, March 28, 2010

Tesla, Pigeons, Slice...of Houdini Pie

Day 47 of the "What are you reading, and why?" project.
Paul is reading The Invention of Everything Else, by Samantha Hunt, who talks about her book in an interview in Slice Magazine.

It's historical fiction about Nikola Tesla, an eccentric Serbian inventor famous for his work with electromagnetism and the alternating current. Even though some people consider Tesla to be a prime example of the "mad scientist," Wikipedia reminds us that Thomas Edison wished he himself had recognized the true value of the alternating current.

But wasn't there a film about what can go terribly wrong with the alternating current? Yes, the film is The Prestige. But, whoa, thank you again, Wikipedia! There is a whole article there, separate from the biographical and scientific info on Tesla, reminding us about his importance in popular culture, from Superman comics to Disney to video games.

Not to mention how the alternating current can be used, or imagined, as a death ray!

Tesla was celibate and loved pigeons. (I've linked you to the paperback at Amazon, but Slice shows pigeon cover.)

Paul Auster in Moon Palace and Thomas Pynchon in Against the Day also used Tesla as a character in novels. And Lynn Pattison has a book of poems called Tesla's Daughter. (Although--see celibacy above--this is an imagined, figurative daughter.)

(Just as I am Emily Dickinson's great-great-great-great-granddaughter.)
Paul Michel, the reader above, has his own novel coming out soon, mentioned here earlier but now available for pre-order at Amazon, ready to ship around April 10, and available at the AWP Conference, which Paul will be attending. It's Houdini Pie, and is about buried treasure, among other things!

And I just read Paul's sweet story "Not the King of Prussia" in the current issue of Glimmer Train.

Tuesday, February 16, 2010

Glimmer Train

Day 7 of the "What are you reading?" project. (And still being kicked off the Internet at home...)

Suzie is reading What the World will Look Like When All the Water Leaves Us, a collection of short stories by Laura van den Berg. That is one scary title! But it sounds like the stories mix big trouble with gentle insight in magical ways each time.

I am also reading some short stories, interspersed with my other reading, which works because I am still reading a book of essays and a book of letters. I paused to read two stories by Paul Michel in back issues of Glimmer Train, a wonderful literary magazine edited by two sisters and published in Portland, Oregon. I was an early subscriber to this magazine, delighted by the policy of publishing pictures of the authors as children and having them comment on their work in "The Last Pages." My mom also liked it from the start and has been a faithful subscriber ever after, so now I borrow her copies!

So I read Michel's stories "Say to the Waves" in the Summer 2004 issue and "Green" in the Spring 2006 issue, and he will also have a story in the forthcoming Spring 2010 issue. Paul and I were at Kenyon College at the same time, and we recently reconnected at Facebook, which is why I love Facebook. Loved these short stories. "Green" gets the tornado sky of the Midwest, and the icky fear of it, just right, and then there is all this subtle family stuff going on, too. "Say to the Waves" is a story that grabs me and makes me care about these people I am just now meeting, and puts me right there on a bench with them.

Paul has a new book coming out in April, Houdini Pie, and will be at the AWP conference in Denver this year to help promote it.

What I always love about short stories is you can sit down and eat them. What I mean by this is what Richard Bausch says in his essay/letter "Dear Writer," collected in the Letters to a Fiction Writer book edited by Frederick Busch. Bausch is first reissuing Fitzgerald's advice to his daughter Scottie that "you must try to absorb...six good authors a year" and goes on to say that "you swallow them. You ingest them, and move on."

I do look at reading this way. It sustains me. It keeps me alive, it helps me write. It is nutritious, good reading!